By Bill Hurter
From taking pictures formal family members photographs in a dimly lit church to taking pictures energetic candids at a bustling reception, this valuable reference offers a hundred assistance for dealing with the method from begin to finish—choosing the simplest gear, shooting the simplest moments on movie, and adorning and offering them afterwards. various pros supply priceless suggestion for electronic marriage ceremony photography, giving technical guidance on lights, publicity and metering, and colour administration, in addition to rules for scouting destinations, facing anxious brides, and photographing huge teams. considerable time is spent at the many features of posing and lighting—for either formal and casual situations—with a watch towards improving the potency of the shoot and the average attractiveness of the resulting images.
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Additional info for 100 Techniques for Professional Wedding Photographers
Look for a high vantage point, such as a balcony or sec- LEFT—Tom Muñoz is not only an expert at choreographing and formally posing events, he is also an expert at pulling the priceless moments out of such scenes. In printing, he darkened the bride’s helpers so as to make the bride more dominant in the composition. BOTTOM LEFT—The best group photographs are often those made when the people in the group are unaware of the photographer’s presence. Here the group is totally absorbed and enjoying what they are seeing.
If the working distance is too short, the subject’s features appear compressed; the nose may appear pasted onto the sub30 100 techniques for professional wedding photographers TOP LEFT—David Beckstead loves his wideangle zooms, which let him tie foreground elements (here, the leaded-glass window) into a closely cropped composition. TOP RIGHT—Jeff Kolodny fisheye lens to create a wonderful effect. Notice that the roses, very close to the lens, look huge, while other aspects of the scene recede in size quite dramatically.
Only one eye is visible. In posing your subjects in profile, have them turn their heads gradually away from the camera position until the far eye and eyelashes just disappear. 23. Watch the Eyes and Smile The Eyes. The best way to keep your subject’s eyes active and alive is to engage them in conversation. Look at the person while you are setting up and try to find a common frame of interest. Inquire about the other person— almost everyone loves to talk about themselves! If the person does not look at you when you are talking, he or she is either uncomfortable or shy.
100 Techniques for Professional Wedding Photographers by Bill Hurter