Download PDF by Matthias Konzett: A Companion to the Works of Thomas Bernhard (Studies in

By Matthias Konzett

ISBN-10: 1571132163

ISBN-13: 9781571132161

ISBN-10: 1571136061

ISBN-13: 9781571136060

Because the loss of life of Thomas Bernhard in 1989, the literary popularity of this complicated and specific author has risen to the purpose that he's now considered as a massive eu determine. Bernhard emerged within the Nineteen Sixties as certainly one of Austria's significant writers, demanding the recognition of such validated writers as Heinrich B?ll and G?nter Grass at the German literary scene. His idiosyncratic prose involves a tragic-comic combination of topics comparable to suicide, insanity, and isolation mixed with hugely satirical and histrionic invectives opposed to tradition, culture, and society. As a skillful impresario of public scandals by way of verbal attacks upon Austrian elite tradition, Bernhard additionally earned himself the epithet of ?bertreibungsk?nstler (artist of exaggeration). during this artwork of cultural and political provocation Bernhard is still unequalled to the current day. This quantity of essays presents contributions through recognized critics that research the main salient features of Bernhard's paintings, delivering insights into literary options and public subject matters that made Bernhard one in every of Europe's masters of contemporary prose and drama. Essays study Bernhard's advanced inventive sensibility, his influence on Austria's severe reminiscence, his relation to the legacy of Austrian Jewish tradition, his consultant price as Austria's top literary export, and his cosmopolitanism and its importance for the quickly altering multicultural panorama of Europe.Matthias Konzett is affiliate professor of German at Yale college. he's the writer of The Rhetoric of nationwide Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden residence, 2000).

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Die Widerwärtigsten und die Gemeinsten haben alles in der Hand und sind drauf und daran, alles, das etwas ist, zu zerstören” (112) . . “Wir lieben unsere Mutter natürlich, sagte ich zu Gambetti, aber wir sehen doch ihre Gemeinheit und ihren Vernichtungswillen. ” THE ESTABLISHED OUTSIDER: BERNHARD 31 Examining Bernhard’s writing in his larger historical environment reveals a turning point in his writing several years after the widely publicized Eichmann Trial (1960) and the Frankfurt Auschwitz Trials (1962), during both of which Austria’s complicity in the Nazi genocide was exposed on an international scale.

Perhaps somebody still owns a note where the master kept score of a game of blackjack or jotted down scribbles and malicious caricatures of the players. As is known, one can possess the remembered person by means of memorabilia — and not always in a non-malicious fashion. One should bear in mind that relics, which is what we’re dealing with here, that relics are remains and originate from either corpses or instruments of torture. In this pressing into the public, we may be dealing with the attempt to externalize the mourned object.

Die deutschen Wörter hängen wie Bleigewichte an der deutschen Sprache, sagte ich zu Gambetti” (8) . . “Das Deutsche ist das Unerträglichste” (42) . . “Was für scheußliche Kreaturen in diesem Österreich heute die Macht haben! Die Niedrigsten sitzen jetzt oben. Die Widerwärtigsten und die Gemeinsten haben alles in der Hand und sind drauf und daran, alles, das etwas ist, zu zerstören” (112) . . “Wir lieben unsere Mutter natürlich, sagte ich zu Gambetti, aber wir sehen doch ihre Gemeinheit und ihren Vernichtungswillen.

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A Companion to the Works of Thomas Bernhard (Studies in German Literature Linguistics and Culture) by Matthias Konzett


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